“Mørkeland” has finally premiered, but the film is receiving mixed reviews from critics. Twenty years after Nikolaj Arcel’s successful debut film “Kongekabale” (The King’s Game), the sequel directed by Mikkel Serup is now based once again on a novel by Niels Krause-Kjær. Reviewers point out both the strengths and weaknesses of this new political thriller.

Politiken, a prominent Danish newspaper, has rated the film three hearts (on a scale where five hearts is the highest), describing it as a piece of “experienced filmmaking.” However, they criticize its outdated approach, arguing that it romanticizes traditional journalism with notebooks and pens at a time when digital media is predominant.

Børsen, another notable publication, also gives the film three stars, indicating that the script appears less realistic and features more plot holes compared to its predecessor. On the positive side, Anders W. Berthelsen’s portrayal of the former journalist Ulrik Torp, who returns to his old workplace as an adult intern, has received high praise. Børsen calls his performance “perfect” and notes that his depiction of a disillusioned Torp is a significant strength of the film.

Information, a third major Danish outlet, takes a predominantly positive view, describing “Mørkeland” as a “solid and thoroughly atmospheric thriller.” The publication commends the film’s pacing and tension, which help to overlook the identified plot holes and incomplete explanations. According to Information, the film is filled with action-packed moments such as car chases and intense personal dilemmas.

All reviews highlight that “Mørkeland” employs a tried-and-true aesthetic with classic elements like black marker pens and dark office landscapes. Politiken concludes that despite its shortcomings, the film manages to keep the audience engaged throughout its runtime, while Information points out the film’s sharply edited style as an important factor in its entertainment value.

Overall, there seems to be a consensus among critics: “Mørkeland” provides a classic thriller experience with certain timeless qualities but does not quite meet the standards set by its predecessor.